V, (Girl 2 yr) climbed onto the chair so she could reach the Piano Keyboard. Her mother went to tell her to hop down. I reassured V’s mother that it was OK that she has a turn playing on the keyboard.
She started playing random notes. I said, “listen to this.” I pushed the button that turned on the drums. V smiled and continued playing and swayed to the beat. She started singing ‘Old MacDonald had a farm.” I sang with her. We came to the end of the first verse I turned off the drums. V stopped playing and looked at the button, she attempted to reach it but couldn’t. I asked her if she wanted the drums back on. She nodded. I turned the drums back on, and instantly she started moving her body to the beat and started playing and singing again. When we got to the end of the song I suggested, “let’s sing the wheels on the bus go round and round”. Her fingers played randomly on the keys, one at time, then sometimes several fingers at once, but not clumsily crashing the keys . She kept in time to my singing and the drums. I moved away to assist another child and V continued for a short time, then climbed off the chair and went to paint a picture.
V’s mother’s initial instinct was to tell V not to touch. She was anxious that V was too little to play, that the keyborad was for the teachers, or that she might break it. Afterwards she was delighted with the fun we had all had singing. Although V couldn’t play the “right notes” she had fun with the rhythm and the sounds. She was a delight to watch and listen to. Her mum was so proud. How many times do we as adults limit what the children do because of our fear. They might climb too high, swig too fast, drop or break something. The challenge is to teach them how to keep themselves safe yet still be courageous. Te Whaariki (1996) promotes a learning outcome "where children experience an environment where thay gain confidence in and control of their bodies, confidence with moving in space, moving to rhythm….”
With the aim of trying to help how many times have I taken over – I know how to play that song - with both hands. I would love to increase my Increase my knowledge of how I could record what was played by V, then play it back. The other thing I could have done to extend this play was to get the guitar and the other instuments out. This may have opened it up for other children to join us.
The keyboard offers a great resource to extend musical experience with little talent needed to actually play the correct notes. “Music contributes to the child’s total development: psychomotor, perceptual, affective, cognitive, social, cultural and aesthetic." (Isenberg & Jalongo 2006 p146)
How good it could have been to get the camera out and record all this on video with the sound of V singing. Then for the parent to have a copy would have been a teasured memory. All this to assist V to become confident when children are able to contribute in culturally valued enterprises. This is a perspective of Communication in the curriculum, Te Whaariki (1996).
References:
Isenberg, J.P., & Jalongo, M.J. (2006). Creative expression and play in early childhood. (3rd ed.). New Jersey: Merrill Prentice Hall
Ministry of Education. (1996). Te Whaariki, he whaariki matauranga mo nga mokopuna o Aotearoa: Early childhood curriculum. Wellington: Learning Media